1. It was kinda nice to get to civic center and not really find any electeds going on about some nonsense on a PA system, it was just like, well we’re here, that was nice, there’s the avakian revcom weirdos [wayne’s world wayne seeing-stacy-face] there’s the people from salt tabling, ok, well let’s walk back up market and see how long it is, wow this is a lot, very cool

    ah well I guess that’s it, ok, cya, I’m gonna go get a beer, ok cya I’ve got plans, yeah cool, later

    so stoked about the martian I didn’t notice spiderman

    selfie, man (me) in a yellow camp shirt w/ flowers on it, red kn95 mask and black SF giants hat. behind me someone with a “save NPR” sign is dressed like the martians from sesame street who panic every time the phone rings trying to figure out what it isfurther in the distance someone in a spiderman costume pushes a bike
    Figure 1. selfie, man (me) in a yellow camp shirt w/ flowers on it, red kn95 mask and black SF giants hat. behind me someone with a “save NPR” sign is dressed like the martians from sesame street who panic every time the phone rings trying to figure out what it isfurther in the distance someone in a spiderman costume pushes a bike.
  2. yipyipyip

    Figure 1. A map of San Francisco, California. The path of a two and a half mile (four kilometer) walk is indicated. About 4900 steps and 72 feet (22 meters) elevation over one and a quarter hours, (half an hour moving).
  3. Relaxing this morning after breakfast reading a bit before heading to the Dolores Park to Civic Center “No Kings" march later today and I get to Inferno III ( https://archive.org/details/dante-dantes-the-divine-comedy-the-inferno-2012-dante-alighieri-robert-hollander-jean-hollander/page/n61/mode/2up), beginning with the famous “abandon all hope, you who enter here” gate of hell, and where Dante and Virgil encounter the damned for the first time, in the vestibule, who in life were neutral and never took a side.

    😬. Well, ok then.

    Annotation in Hollander’s Inferno translation (https://archive.org/details/dante-dantes-the-divine-comedy-the-inferno-2012-dante-alighieri-robert-hollander-jean-hollander/page/n603/mode/2up) cropped to the note for lines 34-36, which says:34-36. For the history of the interpretation of this tercet, nowgenerally understood to indicate the presence in the "ante-inferno," orvestibule of hell, of the neutrals, those who never took a side, seeMazzoni (Mazz. 1967.1), pp. 355-67. And, for the existence of exactlysuch a "vestibule" in hell in the apocryphal Visio Pauli, describing St.Paul's descent to the netherworld, see Silverstein (Silv.1937.1). InPaul's vision (for the most recent text see Silv. 1997.1) there is a riverof flame separating "those who were neither hot nor cold" (Revelation3:15-16) from the other sinners. [return to English / Italian]
    Figure 2. Annotation in Hollander’s Inferno translation (https://archive.org/details/dante-dantes-the-divine-comedy-the-inferno-2012-dante-alighieri-robert-hollander-jean-hollander/page/n603/mode/2up) cropped to the note for lines 34-36, which says:34-36. For the history of the interpretation of this tercet, nowgenerally understood to indicate the presence in the "ante-inferno," orvestibule of hell, of the neutrals, those who never took a side, seeMazzoni (Mazz. 1967.1), pp. 355-67. And, for the existence of exactlysuch a "vestibule" in hell in the apocryphal Visio Pauli, describing St.Paul's descent to the netherworld, see Silverstein (Silv.1937.1). InPaul's vision (for the most recent text see Silv. 1997.1) there is a riverof flame separating "those who were neither hot nor cold" (Revelation3:15-16) from the other sinners. [return to English / Italian].
    Annotation in Hollander’s Inferno translation (https://archive.org/details/dante-dantes-the-divine-comedy-the-inferno-2012-dante-alighieri-robert-hollander-jean-hollander/page/n605/mode/2up) cropped to the note for lines 52-57, which says:52-57. Dante's essential technique for indicating the crucial moralfailures of his various groups of sinners is here before us for the firsttime. The neutrals, who never took a side, are portrayed as anorganized crowd following a banner: exactly what they were not inlife (e.g., the neutral angels who neither rebelled directly against Godnor stood with Him, but who kept to one side). And in this respect theneutrals are punished by being forced to assume a pose antithetic tothat which they struck in life. At the same time, the banner that theyfollow is the very essence of indeterminacy. Not only is there noidentifying sign on it, it is not held in the anchoring hand of anystandard-bearer; it is a parody of the standard raised before a body ofmen who follow a leader. Elsewhere we will encounter other suchsymbolic artifacts. In Dante's hell the punishment of sin involves theapplication of opposites and similarities. This form of just retributionis what Dante will later refer to as the contrapasso (Inf. XXVIII.142).[return to English / Italian]
    Figure 3. Annotation in Hollander’s Inferno translation (https://archive.org/details/dante-dantes-the-divine-comedy-the-inferno-2012-dante-alighieri-robert-hollander-jean-hollander/page/n605/mode/2up) cropped to the note for lines 52-57, which says:52-57. Dante's essential technique for indicating the crucial moralfailures of his various groups of sinners is here before us for the firsttime. The neutrals, who never took a side, are portrayed as anorganized crowd following a banner: exactly what they were not inlife (e.g., the neutral angels who neither rebelled directly against Godnor stood with Him, but who kept to one side). And in this respect theneutrals are punished by being forced to assume a pose antithetic tothat which they struck in life. At the same time, the banner that theyfollow is the very essence of indeterminacy. Not only is there noidentifying sign on it, it is not held in the anchoring hand of anystandard-bearer; it is a parody of the standard raised before a body ofmen who follow a leader. Elsewhere we will encounter other suchsymbolic artifacts. In Dante's hell the punishment of sin involves theapplication of opposites and similarities. This form of just retributionis what Dante will later refer to as the contrapasso (Inf. XXVIII.142).[return to English / Italian].
  4. A move I’ve noticed cool hip with-it conflict-avoidant people do which I’ve decided to try to do is to make more claims about my own experience than I normally would because it feels redundant or just a lot of work to do all the time

    so instead of “you should __" or “people should __” I try to go with with “I have __ and here’s how it worked out for me, to me.”

    I kinda remember being mad like twenty years ago that every other move needed to be considered with an “in my experience, __” prefix and this is how long it took me to connect it? wild

    as a bonus, this helps me feel ok not passing along second-hand “advice" or information, or even posting much at all anymore

  5. Morning Walk

    Figure 1. A map of San Francisco, California. The path of a zero and three quarters mile (one and a quarter kilometer) walk is indicated. About 1600 steps and 23 feet (seven meters) elevation over half an hour, (a quarter hour moving).
  6. Afternoon Walk

    Figure 1. A map of San Francisco, California. The path of a one and a half mile (two and a quarter kilometer) walk is indicated. About 2800 steps and 36 feet (11 meters) elevation over one and a half hours, (half an hour moving).
  7. Https://en.wikipedia.org/wiki/Pale_Fire#Interpretations fascinating takes.

    The Botkin theory is very plausible, and these critical essays from Boyd on the Nabokov mailing list is also a fun read (i’m on 3 of 9, made possible by reader mode in my browser, the archive newlines are a little weird).

    (you know you are reading some real lore when you see the old “name-l” listserve decorator)

    https://bookwyrm.social/user/gravely/comment/7641408

    I picked up the inferno (this hollander one https://archive.org/details/dante-dantes-the-divine-comedy-the-inferno-2012-dante-alighieri-robert-hollander-jean-hollander ) off my now two-shelf long to-read, half-read, and probably dnfing pile because I’m about to get to it in the Berkeley philosophy lectures I I’m listening to on walks anymore (Dreyfus mentioned previously, https://archive.org/details/ucberkeley_webcast_itunesu_461120619) and it’s in the form canto, commentary on canto, canto 2, commentary on canto 2, and so on

    ffs

  8. Content warning: us pol

    “Brother, can you spare securing the existence of our people and a future for wh—“

    “Sorry friend, I don’t carry cash.”

  9. The Inferno

    Dante Alighieri, Dante

    Cover of The Inferno by Dante Alighieri, Dante
    Figure 1. Cover of The Inferno by Dante Alighieri, Dante.

    Gravely started reading The Inferno

  10. I never have any urge to post what I think about people like stephen miller on here because it would feel like bad smalltalk, just casual observations of a shared banality.

    for some insane reason I instead am constantly not posting the same nonsense on linkedin, a website I don’t understand and dislike the need for, because “they” (??) need to hear it.

Pizza Slow (high quality)

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